CRAFT 2026 First Chapters Contest

$2,800 Awarded

Guest Judge: Deb Olin Unferth

April 20, 2026 – June 28, 2026

There’s an unforgettable electricity that courses through the first chapters of a terrific novel. So much magic and mystery. So many potential paths for our protagonists. This summer, CRAFT wants to be transported by your early pages. The CRAFT First Chapters Contest encourages novelists to harness the energy of their openings for the opportunity to win a $2,000 award, excerpt publication, and a full manuscript critique by Artful Editor. Our annual contest is designed to reward and encourage the diligent novelist. Your manuscript need not be complete for you to enter your first chapters. We just want to see that spark. Here’s what Guest Judge Deb Olin Unferth would love to read:

I’m looking for a first chapter of a novel that, by the end of it, a few things are happening: I’m moved by the narrative voice—maybe it feels unique and inviting, or rebellious. Also, I’m deep into a character, I feel like I want to know them. And I need to be pulled along by the momentum of the story, promises are being made to me. The style needs to light me up, as well. Also, I’d like to know that this is all important somehow, that the story is about larger ideas, beliefs, global problems or philosophical ones. 

Submissions are open April 20 to June 28, 2026. Everyone who submits will also receive a 10 percent discount from Artful Editor on any editorial services. Unferth will choose three winning excerpts from fifteen anonymized entries. Learn more in our guidelines below!

Guidelines:

• The First Chapters Contest is open to all fiction writers; CRAFT is a market for literary fiction.
• Please send excerpts of up to 5,000 words* of book-length fiction only—please submit the first chapter or chapters* of your unpublished novels/novellas. Your novel need not be completely written. Please, no short stories or nonfiction essays.
• This contest requires a $20 entry fee per submission.
• Writers from historically marginalized groups will be able to submit for free until we reach fifty free submissions.
• We allow multiple and simultaneous submissions. Each submission must be accompanied by a separate reading fee. Writers, please notify us and withdraw your submission if your piece is accepted for publication elsewhere.
• Submit previously unpublished work only—we do NOT review reprints or partial reprints (including any form of self-publishing such as on blogs, personal websites, social media, et cetera.). Reprints will be automatically disqualified.
• International submissions are welcome. Work must be written primarily in English, but some code-switching/meshing is warmly welcomed.
• No translations, please.
• We review literary fiction, but are open to a variety of genres and styles, as long as you show excellence in your craft.
• Please double-space your submission and use Times New Roman 12.
• Please include a brief cover letter with your publication history and any content warnings (if applicable).
• We do not require anonymous submissions, but the guest judge will read the shortlist anonymized.
• Please review our values before submitting.
• All entries will also be considered for publication in CRAFT.
• AI-generated or -assisted submissions will be automatically disqualified. This includes using LLMs (ChatGPT, Claude, Gemini, or similar) to translate your work.
• Unless you’ve already secured the necessary permissions, please do not include quoted song lyrics in your submitted work.

*Your entry may include more than your first chapter, up to 5,000 words total, but should contain complete sections—please do not leave us hanging midparagraph just to maximize word count—and must be the first chapter(s) of your book-length project, as if you were querying agents or publishing houses.

Awards:

• First place will receive $2,000 and a full manuscript critique of the novel or novella, up to 100K words, by Artful Editor.
• Second and third place will receive $500 and $300, respectively.
• First, second, and third place will receive an agent query workshop by Annalise Errico of Ladderbird Literary Agency—Annalise will offer feedback on the first 5,000 words of the project, the summary, and a query letter.
• The top three excerpts will be published in CRAFT, each with an introduction by Guest Judge Deb Olin Unferth.
• Each publication will include an author’s note (craft essay) written by the winning writers.

Fine Print:

• Friends, family, and associates of the guest judge are not eligible for consideration for the award.
• Our collaboration with editorial professionals and agents in the judging and awarding of our contests does not imply an endorsement or recognition from their agencies, houses, presses, universities, et cetera.
• Check out our 2025 winners for examples of the type of work we seek.
• As we only consider unpublished writing, and will publish the winning excerpts in November 2026, anything under contract to publish prior to March 2027 should not be entered.

Guest Judge:

DEB OLIN UNFERTH’s next book, the novel Earth 7, is forthcoming in June, 2026. She is the author of six other books, including the novel Barn 8 and the story collection Wait Till You See Me Dance. Her stories and essays have appeared in Harper’s, The Paris Review, Granta, McSweeney’s, and New York Times Magazine. She was a finalist for the National Book Critics’ Circle Award and has received a fellowship from the Guggenheim Foundation. A professor at the University of Texas at Austin, she teaches for the Michener Center for Writers, the New Writers Project, and directs the Pen City Writers at a south Texas penitentiary.

Contest Partners:

ARTFUL EDITOR is an editorial agency that helps writers elevate their prose and prepare their manuscripts for agent submission and publication. We offer honest and constructive manuscript reviews, developmental editing, line editing, and copyediting. Our team is composed of book editors and published authors, many of whom also edit for traditional publishers. We’re based in Los Angeles, California, but work with writers from all over the world and at every stage of their careers. Find us onInstagram andLinkedIn.

ANNALISE ERRICO of Ladderbird Literary Agency is a graduate of Lesley University where she earned a BA in creative writing with a double minor in literature and women’s, gender, and sexuality studies. She is excited about uplifting stories by authors with marginalized voices and intersectional identities, ultimately making room for the diverse voices that have long since been ignored and suppressed in the literary world and beyond. Find her on Twitter @AnnaliseErrico.

LADDERBIRD is a full-service boutique literary agency out of the Boston area with a passion for bringing marginalized voices to the forefront. We work with authors at all levels to create the right path toward achieving each author’s specific goals. It is our passion to create long-lasting relationships and to be the best advocate for our clients. At Ladderbird, we believe in building a supportive community that benefits all. Find us on Twitter @ladderbirdlit.

Optional Editorial Feedback:

You may choose to receive editorial feedback on your excerpt. We will provide marginal notes, as well as a two-page global letter discussing the strengths of the writing and the recommended focus for revision. While editorial feedback is inherently subjective, our suggestions are always actionable and encouraging. We aim to have feedback completed within twelve weeks from the close of the contest. Work that we critique is not eligible for submission to future CRAFT contests, but can be revised and resubmitted in our general queues for further consideration.

CRAFT 2026 First Chapters Contest

$2,800 Awarded

Guest Judge: Deb Olin Unferth

April 20, 2026 – June 28, 2026

Note: This submission category is for writers from historically marginalized groups ONLY. 

There’s an unforgettable electricity that courses through the first chapters of a terrific novel. So much magic and mystery. So many potential paths for our protagonists. This summer, CRAFT wants to be transported by your early pages. The CRAFT First Chapters Contest encourages novelists to harness the energy of their openings for the opportunity to win a $2,000 award, excerpt publication, and a full manuscript critique by Artful Editor. Our annual contest is designed to reward and encourage the diligent novelist. Your manuscript need not be complete for you to enter your first chapters. We just want to see that spark. Here’s what Guest Judge Deb Olin Unferth would love to read:

I’m looking for a first chapter of a novel that, by the end of it, a few things are happening: I’m moved by the narrative voice—maybe it feels unique and inviting, or rebellious. Also, I’m deep into a character, I feel like I want to know them. And I need to be pulled along by the momentum of the story, promises are being made to me. The style needs to light me up, as well. Also, I’d like to know that this is all important somehow, that the story is about larger ideas, beliefs, global problems or philosophical ones. 

Submissions are open April 20 to June 28, 2026. Everyone who submits will also receive a 10 percent discount from Artful Editor on any editorial services. Unferth will choose three winning excerpts from fifteen anonymized entries. Learn more in our guidelines below!

Guidelines:

• The First Chapters Contest is open to all fiction writers; CRAFT is a market for literary fiction.
• Please send excerpts of up to 5,000 words* of book-length fiction only—please submit the first chapter or chapters* of your unpublished novels/novellas. Your novel need not be completely written. Please, no short stories or nonfiction essays.
• Writers from historically marginalized groups will be able to submit for free until we reach fifty free submissions.
• We allow simultaneous submissions. Writers, please notify us and withdraw your submission if your piece is accepted for publication elsewhere.
• Submit previously unpublished work only—we do NOT review reprints or partial reprints (including any form of self-publishing such as on blogs, personal websites, social media, et cetera.). Reprints will be automatically disqualified.
• International submissions are welcome. Work must be written primarily in English, but some code-switching/meshing is warmly welcomed.
• No translations, please.
• We review literary fiction, but are open to a variety of genres and styles, as long as you show excellence in your craft.
• Please double-space your submission and use Times New Roman 12.
• Please include a brief cover letter with your publication history and any content warnings (if applicable).
• We do not require anonymous submissions, but the guest judge will read the shortlist anonymized.
• Please review our values before submitting.
• All entries will also be considered for publication in CRAFT.
• AI-generated or -assisted submissions will be automatically disqualified. This includes using LLMs (ChatGPT, Claude, Gemini, or similar) to translate your work.
• Unless you’ve already secured the necessary permissions, please do not include quoted song lyrics in your submitted work.

*Your entry may include more than your first chapter, up to 5,000 words total, but should contain complete sections—please do not leave us hanging midparagraph just to maximize word count—and must be the first chapter(s) of your book-length project, as if you were querying agents or publishing houses.

Awards:

• First place will receive $2,000 and a full manuscript critique of the novel or novella, up to 100K words, by Artful Editor.
• Second and third place will receive $500 and $300, respectively.
• First, second, and third place will receive an agent query workshop by Annalise Errico of Ladderbird Literary Agency—Annalise will offer feedback on the first 5,000 words of the project, the summary, and a query letter.
• The top three excerpts will be published in CRAFT, each with an introduction by Guest Judge Deb Olin Unferth.
• Each publication will include an author’s note (craft essay) written by the winning writers.

Fine Print:

• Friends, family, and associates of the guest judge are not eligible for consideration for the award.
• Our collaboration with editorial professionals and agents in the judging and awarding of our contests does not imply an endorsement or recognition from their agencies, houses, presses, universities, et cetera.
• Check out our 2025 winners for examples of the type of work we seek.
• As we only consider unpublished writing, and will publish the winning excerpts in November 2026, anything under contract to publish prior to March 2027 should not be entered.

Guest Judge:

DEB OLIN UNFERTH’s next book, the novel Earth 7, is forthcoming in June, 2026. She is the author of six other books, including the novel Barn 8 and the story collection Wait Till You See Me Dance. Her stories and essays have appeared in Harper’s, The Paris Review, Granta, McSweeney’s, and New York Times Magazine. She was a finalist for the National Book Critics’ Circle Award and has received a fellowship from the Guggenheim Foundation. A professor at the University of Texas at Austin, she teaches for the Michener Center for Writers, the New Writers Project, and directs the Pen City Writers at a south Texas penitentiary.

Contest Partners:

ARTFUL EDITOR is an editorial agency that helps writers elevate their prose and prepare their manuscripts for agent submission and publication. We offer honest and constructive manuscript reviews, developmental editing, line editing, and copyediting. Our team is composed of book editors and published authors, many of whom also edit for traditional publishers. We’re based in Los Angeles, California, but work with writers from all over the world and at every stage of their careers. Find us onInstagram andLinkedIn.

ANNALISE ERRICO of Ladderbird Literary Agency is a graduate of Lesley University where she earned a BA in creative writing with a double minor in literature and women’s, gender, and sexuality studies. She is excited about uplifting stories by authors with marginalized voices and intersectional identities, ultimately making room for the diverse voices that have long since been ignored and suppressed in the literary world and beyond. Find her on Twitter @AnnaliseErrico.

LADDERBIRD is a full-service boutique literary agency out of the Boston area with a passion for bringing marginalized voices to the forefront. We work with authors at all levels to create the right path toward achieving each author’s specific goals. It is our passion to create long-lasting relationships and to be the best advocate for our clients. At Ladderbird, we believe in building a supportive community that benefits all. Find us on Twitter @ladderbirdlit.

Welcome to CRAFT.

Submissions for longform creative nonfiction are open year-round and offer payment of $200 for accepted original work. This free category is for essays and standalone excerpts between 1,000 and 6,000 words. See our flash creative nonfiction category for essays of fewer than 1,000 words.  

As we have always done with our fiction as well, each published work of creative nonfiction will include an author’s note and an editorial introduction that both focus on the craft of the piece. We review literary nonfiction, but are open to a variety of styles—our only requirement is that you show excellence in your craft. 

If you have questions about submissions, please send an email to: contact (at) craftliterary (dot) com 

GUIDELINES: 

• Longform creative nonfiction submissions are open to all writers.
• We accept longform creative nonfiction only in this category; please, no academic work (we have a separate category for critical writing and interviews).
• International submissions are allowed.
• Please submit work primarily written in English, but some code-switching/meshing is warmly welcomed.
• We adhere to a 6,000 word count maximum (for essays under 1,000 words, please choose the more appropriate flash creative nonfiction category).
• We review literary nonfiction, but are open to a variety of genres and styles including memoir, lyric essays, personal essays, narrative nonfiction, speculative creative nonfiction, and experimental prose.
• Please submit previously unpublished work only—we no longer consider reprints.
• We allow simultaneous submissions—writers please notify us and withdraw your piece if your work is selected for publication elsewhere. If you withdraw your work, you may submit another piece in the same genre.
• We no longer allow multiple submissions—please send only one piece of longform creative nonfiction at a time, until you've heard back from us.
• If your work is declined, we ask that you wait three months before submitting again to the same genre, unless an editor requests more work from you.
• Please double-space your submission and use Times New Roman 12. Email us if you need accommodations.
• Please send your piece as a Word doc. PDFs are acceptable, if necessary.
• Include a brief cover letter with your publication history and any relevant content warnings (if applicable).
• Unless you’ve already secured the necessary permissions, please do not include quoted song lyrics in your submitted work.
• CRAFT does not consider or review AI-generated work. Submissions utilizing AI tools will be automatically declined.
• We do not discriminate on the basis of age, ancestry, disability, family status, gender identity or expression, national origin, race, religion, sex or sexual orientation, or for any other reason.
• Additionally, we do not tolerate discrimination in the writing we consider for publication. Work we find discriminatory on any of the bases stated here will be declined without complete review.

Welcome to CRAFT. 

Submissions for flash creative nonfiction are open year-round and offer payment of $100 for accepted original work. This free category is for essays and standalone excerpts fewer than 1,000 words. See our longform creative nonfiction category for essays between 1,000 and 6,000 words.

As we have always done with our fiction, each published work of creative nonfiction will include an author’s note and an editorial introduction that both focus on the craft of the piece. We review literary nonfiction, but are open to a variety of styles—our only requirement is that you show excellence in your craft. 

If you have questions about submissions, please send an email to: contact (at) craftliterary (dot) com 

GUIDELINES: 

• Flash creative nonfiction submissions are open to all writers.
• We accept flash creative nonfiction only in this category; please, no academic work (we have a separate category for critical writing and interviews).
• International submissions are allowed.
• Please submit work primarily written in English, but some code-switching/meshing is warmly welcomed.
• We adhere to a 1,000 word count maximum (for essays between 1,000 and 6,000 words, please choose the longform creative nonfiction category)—please send only ONE flash creative nonfiction piece between 401 and 1,000 words.
• OR, up to three micros (400 words or fewer each / fewer than 1,000 words total) may be submitted in a single document—this file counts as ONE submission.
• We review literary nonfiction, but are open to a variety of genres and styles including memoir, lyric essays, personal essays, narrative nonfiction, speculative creative nonfiction, and experimental prose.
• Please submit previously unpublished work only—we no longer consider reprints.
• We allow simultaneous submissions—writers please notify us and withdraw your piece if your work is selected for publication elsewhere. If you withdraw your work, you may submit another piece in the same genre.
• We no longer allow multiple submissions—please send only one piece of flash creative nonfiction at a time (unless you're sending three micros, of course, which count as one submission), until you've heard back from us.
• If your work is declined, we ask that you wait three months before submitting again to the same genre, unless an editor requests more work from you.
• Please double-space your submission and use Times New Roman 12. Email us if you need accommodations.
• Please send your piece as a Word doc. PDFs are acceptable, if necessary.
• Include a brief cover letter with your publication history and any relevant content warnings (if applicable).
• Unless you’ve already secured the necessary permissions, please do not include quoted song lyrics in your submitted work.
• CRAFT does not consider or review AI-generated work. Submissions utilizing AI tools will be automatically declined.
• We do not discriminate on the basis of age, ancestry, disability, family status, gender identity or expression, national origin, race, religion, sex or sexual orientation, or for any other reason.
• Additionally, we do not tolerate discrimination in the writing we consider for publication. Work we find discriminatory on any of the bases stated here will be declined without complete review.

Welcome to CRAFT.

Submissions for short fiction are open year-round and offer payment of $200 for accepted original work. This free category is for short stories and standalone fiction excerpts between 1,000 and 6,000 words. See our flash fiction category to submit stories of fewer than 1,000 words.

We are thrilled to be able to pay for published stories, but subsequently must be highly selective in our choices.

To serve our aim of exploring the art of fiction, each published story includes an editor’s introduction as well as a craft essay (author’s note) by the writer. This essay will be requested upon acceptance.

If you have questions about submissions, please send an email to: contact (at) craftliterary (dot) com

GUIDELINES:

• Fiction submissions are open to all writers.
• We accept short fiction and standalone excerpts only in this category.
• International submissions are welcome.
• Please submit work primarily written in English, but some code-switching/meshing is warmly welcomed.
• We adhere to a 6,000 word count maximum (for stories of fewer than 1,000 words, please choose the more appropriate flash fiction category).
• We review literary fiction, but are open to a variety of genres and styles—our only requirement is that you show excellence in your craft.
• Please submit previously unpublished work only—we no longer consider reprints.
• We allow simultaneous submissions—writers please notify us and withdraw your piece if your work is selected for publication elsewhere. If you withdraw your work, you may submit another piece in the same genre.
• We no longer allow multiple submissions—please send only one piece of short fiction at a time, until you've heard back from us.
• If your work is declined, we ask that you wait three months before submitting again to the same genre, unless an editor requests more work from you.
• Please double-space your submission and use Times New Roman 12. Email us if you need accommodations.
• Please send your story as a Word doc. PDFs are acceptable, if necessary.
• Include a brief cover letter with your publication history and any relevant content warnings (if applicable).
• Unless you’ve already secured the necessary permissions, please do not include quoted song lyrics in your submitted work.
• CRAFT does not consider or review AI-generated work. Submissions utilizing AI tools will be automatically declined.
• We do not discriminate on the basis of age, ancestry, disability, family status, gender identity or expression, national origin, race, religion, sex or sexual orientation, or for any other reason.
• Additionally, we do not tolerate discrimination in the writing we consider for publication. Work we find discriminatory on any of the bases stated here will be declined without complete review.

Welcome to CRAFT.

Submissions for flash fiction are open year-round and offer payment of $100 for original work. This free category is for flash fiction up to 1,000 words. See our short fiction category for stories between 1,000 and 6,000 words.

We are thrilled to be able to pay for published stories, but subsequently must be highly selective in our choices.

To serve our aim of exploring the art of fiction, each published story includes an editor’s introduction as well as a craft essay (author’s note) by the writer. This essay will be requested upon acceptance.

If you have questions about submissions, please send an email to: contact (at) craftliterary (dot) com

GUIDELINES:

• Flash fiction submissions are open to all writers.
• We accept flash fiction only in this category.
• International submissions are allowed.
• Please submit work primarily written in English, but some code-switching/meshing is warmly welcomed.
• We adhere to a 1,000 word count maximum (for stories from 1,000 to 6,000 words, please choose the more appropriate short fiction category)—please send only ONE flash fiction piece between 401 and 1,000 words.
• OR, up to three micros (400 words or fewer each / fewer than 1,000 words total) may be submitted in a single document—this file counts as ONE submission.
• We review literary fiction, but are open to a variety of genres and styles—our only requirement is that you show excellence in your craft.
• Please submit previously unpublished work only—we no longer consider reprints.
• We allow simultaneous submissions—writers please notify us and withdraw your piece if your work is selected for publication elsewhere. If you withdraw your work, you may submit another piece in the same genre.
• We no longer allow multiple submissions—please send only one piece of flash fiction at a time (unless you're sending three micros, of course, which counts as one submission), until you've heard back from us.
• If your work is declined, we ask that you wait three months before submitting again to the same genre, unless an editor requests more work from you
• Please double-space your submission and use Times New Roman 12. Email us if you need accommodations.
• Please send your story as a Word doc. PDFs are acceptable, if necessary.
• Include a brief cover letter with your publication history and any relevant content warnings (if applicable).
• Unless you’ve already secured the necessary permissions, please do not include quoted song lyrics in your submitted work.
• CRAFT does not consider or review AI-generated work. Submissions utilizing AI tools will be automatically declined.
• We do not discriminate on the basis of age, ancestry, disability, family status, gender identity or expression, national origin, race, religion, sex or sexual orientation, or for any other reason.
• Additionally, we do not tolerate discrimination in the writing we consider for publication. Work we find discriminatory on any of the bases stated here will be declined without complete review.

This form is currently open ONLY to BIPOC and other mis- and underrepresented writers.

While our submissions for short and flash prose are always free and always open, we are currently offering a fast response option for free to BIPOC and other historically mis- and underrepresented writers.

This form is for both short fiction and longform creative nonfiction (short stories, standalone excerpts, and creative nonfiction essays) between 1,001 and 6,000 words, and for flash and micros (both fiction and creative nonfiction) up to 1,000 words.

We will respond to your piece within four weeks of submission.

We pay $200 for accepted short stories or longform creative nonfiction, and we pay $100 for accepted flash or micro pieces. To serve our aim of exploring the art of prose, each published piece includes an editor’s introduction as well as a craft essay (author’s note) by the writer. This essay will be requested upon acceptance.

If you have questions about submissions, please send an email to: contact (at) craftliterary (dot) com

GUIDELINES: 

• This fast-response category is open only to BIPOC writers and other historically mis- and underrepresented writers.
• International submissions are allowed.
• Please submit work primarily written in English, but some code-switching/meshing is warmly welcomed.
• For this category, we review previously unpublished work only.
• For short fiction and longform creative nonfiction, we adhere to a 6,000 word count maximum.
• For flash, we adhere to a 1,000 word count maximum—please send only ONE flash prose piece between 401 and 1,000 words.
• OR, up to three micros (400 words or fewer each / fewer than 1,000 words total) may be submitted in a single document—this file counts as ONE submission.
• We review literary prose, but are open to a variety of genres and styles—our only requirement is that you show excellence in your craft.
• We allow simultaneous submissions—writers please notify us and withdraw your piece if your work is selected for publication elsewhere. If you withdraw your work, you may submit another piece in the same genre.
• We no longer allow multiple submissions—please send only one piece at a time (unless you're sending three micros, of course, which count as one submission), until you've heard back from us.
• If your story is declined, we ask that you wait three months before submitting again to the same genre, unless an editor requests more work from you.
• Please double-space your submission and use Times New Roman 12. Email us if you need accommodations.
• Please send your submission as a Word doc. PDFs are acceptable, if necessary.
• Include a brief cover letter with your publication history and any relevant content warnings (if applicable).
• Unless you’ve already secured the necessary permissions, please do not include quoted song lyrics in your submitted work.
• CRAFT does not consider or review AI-generated work. Submissions utilizing AI tools will be automatically declined.
• We do not discriminate on the basis of age, ancestry, disability, family status, gender identity or expression, national origin, race, religion, sex or sexual orientation, or for any other reason.
• Additionally, we do not tolerate discrimination in the writing we consider for publication. Work we find discriminatory on any of the bases stated here will be declined without complete review.
• Please do not submit work to this category if you do not identify as BIPOC or as a writer from another demographic who has been historically mis- or underrepresented in publishing.

Interested in writing critically for CRAFT? Please see the guidelines below and select the appropriate dropdown option when you submit your work. We do not consider previously published material (reprints) in this category. 

We review essays on writing craft, critical literary analyses, and interviews. Please visit our Craft Section to see the type of content we publish. 

All work in this section is concerned with fiction or creative nonfiction. Please do not send critical work about poetry, film, or any other genres. Those pieces aren't for us. Please do not send personal essays—send those to our creative nonfiction forms. We pay $50 for craft and critical essays, $50 for most standard interviews, and $100 for hybrid interviews (a critical essay paired with a Q&A).

Craft and critical essays range from 1,500 to 2,500 words concerning the craft of fiction or creative nonfiction. We recommend familiarizing yourself with our archive. Most essays we publish offer a careful examination of craft elements in fiction or creative nonfiction.

We welcome queries, pitches, and completed interviews with fiction or creative nonfiction writers. We will want to know if the interview is already approved as well as which elements of craft will be explored. We often schedule interviews well in advance—please contact us as soon as possible with your proposed interview.

We no longer allow multiple submissions—please send only one piece per genre at a time. If your craft/critical submission is declined, you may submit again to the genre immediately. Overall, you may have one piece of fiction (either short or flash), one piece of creative nonfiction (either longform or flash), and one craft piece under consideration at one time.

Details:

Craft and Critical Essays 

Please send completed essays concerning the craft of fiction or creative nonfiction, and include in your cover letter what you're exploring and why it is a good fit for us. Submissions should be 1,500 to 2,500 words and should consist of a careful examination of craft. We only consider completed pieces.

Interviews & Hybrid Interviews

Typically our interviews run around 2,000 to 2,500 words and our hybrid interviews run 3,000 to 4,000 words, 1,000 to 1,500 of which comprise a critical essay about one or more of the interviewee's books. We consider both completed pieces and queries/pitches.

CRAFT does not consider or review AI-generated work. Submissions utilizing AI tools will be automatically declined.